Release : 1953-02-09
Genre : Drama, Romance
Runtime : 96 Minutes
Company : Svensk Filmindustri (SF)
Cast : Harriet Andersson, Lars Ekborg, Dagmar Ebbesen, Åke Fridell, Naemi Briese, Åke Grönberg, Sigge Fürst, John Harryson
Language : svenska
Summer with Monika 1953 - Did you know that film Summer with Monika that have a rating 7.5 is very together liked by the community a lot. A fan movie Summer with Monika the first would certainly honored with Summer with Monika. Most obviously is the film's humor height live high. One of the things that it feels will be the trademark of the films Summer with Monika.
But beyond this, the Summer with Monika who began dance in theaters starting today, 1953-02-09, can still be a fun tableau, thanks to its high levels of humor. But that is different from the typical character of a kind of Acting, Harriet Andersson, Lars Ekborg, Dagmar Ebbesen, Åke Fridell, Naemi Briese, Åke Grönberg, Sigge Fürst, John Harryson is indeed quite spectacular as well as evocative yet, but at least it gives a deeper dimension to various characters in the film.
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Monika from Stockholm falls in love with Harry, a young man on holiday. When she becomes pregnant they are forced into a marriage, which begins to fall apart soon after they take up residence in a cramped little flat.
Another interesting thing from Summer with Monika is the strain that woke up with intense enough, starting from the initial minutes. Unnecessary verbosity, this film directly in the core problem of the story.
From here, the plot directly running quickly. That makes the Summer with Monika is more exciting, the Director successfully opened one at a time a twist in the story, from the beginning to the end of the film. As a result, audiences are increasingly happy to follow this film.
Since the film was released, teaser Summer with Monika immediately set the curiosity. Yes, the film explores something new and making movies Summer with Monika to draw on the watch. However, the concept of film Summer with Monika about A Picture for Wide Screens and Broad Minds is one thing.
Not only that, all the elements that make up the film Summer with Monika, ranging from acting to plot, support each other to build a very intense tension throughout the film. Don't be surprised if You will sit down while holding their breath in the spectator seats.
In Ingmar Bergman's 1953 film SOMMAREN MED MONIKA (The Summer with Monika), young, idealistic Harry (Lars Ekborg) meets the freespirited Monika (Harriet Andersson). Fed up with their dull stockroom jobs as midsummer approaches, they quit and and escape together to one of the myriad islands in the Stockholm archipelago. But while Harry is keen to get back to civilization and further his education in order to support the child they will soon have, Harriet thinks little of the future, pursuing her own whims of the moment. Harry is definitely the protagonist here, and receives the sympathy of the viewer as this bad girl tears his life apart.
Upon its release, this film was a major contribution to Sweden's mid-century reputation as a sexually liberated place. However, that's all very much in the past. There is only one scene of (rear) nudity, and for the most part what 1950s audiences found scandalous is just some snogging that wouldn't raise eyebrows today. Still, Andersson does know how to flaunt her sex appeal, her full lips and proportioned figure, to the camera.
In my opinion, this is not one of the greatest films of the auteur scene. Ingmar Bergman would go on to create a series of masterpieces that totally shook my world, but SOMMAREN MED MONIKA is a somewhat ordinary study of working class life and a morality tale much like British audiences would start getting with their kitchen sink dramas (e.g. BILLY LIAR) in the following years. There is also a totally contrived -- and rather inexplicable -- fight scene that Bergman needlessly uses to make Harry look chivalrous. Still, it is interesting to see a Sweden of severe class divisions that is now almost gone, with alcoholism-stricken families in dire poverty living alongside more fortunate Stockholm residents who keep servants. The first third of the film is almost like listening to an Allan Pettersson symphony.
All in all, the film is entertaining and teaches us something about an earlier time and place, but don't think this is one of the more serious films that established Ingmar Bergman as one of the most daring and insightful filmmakers of the 20th century.
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