Release : 1958-12-26
Genre : Drama
Runtime : 101 Minutes
Company : Svensk Filmindustri (SF)
Cast : Max von Sydow, Gunnar Björnstrand, Ingrid Thulin, Bibi Andersson, Erland Josephson, Naima Wifstrand, Bengt Ekerot, Lars Ekborg, Åke Fridell, Toivo Pawlo
Language : svenska
The Magician 1958 - Are you know that movie The Magician that have a rating 7.3 is very strong liked by the community a lot. A fan film The Magician the first would certainly entertained with The Magician. Most decidedly is the film's humor levels stop high. One of the things that it atmosphere will be the indication of the films The Magician.
But beyond this, the The Magician who began playing in theaters starting today, 1958-12-26, can still be a fun spectacular, thanks to its high levels of humor. But that is different from the typical character of a kind of Acting, Max von Sydow, Gunnar Björnstrand, Ingrid Thulin, Bibi Andersson, Erland Josephson, Naima Wifstrand, Bengt Ekerot, Lars Ekborg, Åke Fridell, Toivo Pawlo is indeed quite spectacular as well as evocative yet, but at least it gives a deeper dimension to various characters in the film.
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Ingmar Bergman’s The Magician (Ansiktet) is an engaging, brilliantly conceived tale of deceit from one of cinema’s premier illusionists. Max von Sydow stars as Dr. Vogler, a nineteenth-century traveling mesmerist and peddler of potions whose magic is put to the test in Stockholm by the cruel, eminently rational royal medical adviser Dr. Vergérus. The result is a diabolically clever battle of wits that’s both frightening and funny, shot in rich, gorgeously gothic black and white.
Another interesting thing from The Magician is the strain that woke up with intense enough, starting from the initial minutes. Unnecessary verbosity, this film directly in the core problem of the story.
From here, the plot directly running quickly. That makes the The Magician is more exciting, the Director successfully opened one at a time a twist in the story, from the beginning to the end of the film. As a result, audiences are increasingly happy to follow this film.
Since the film was released, teaser The Magician immediately set the curiosity. Yes, the film explores something new and making movies The Magician to draw on the watch. However, the concept of film The Magician about is one thing.
Not only that, all the elements that make up the film The Magician, ranging from acting to plot, support each other to build a very intense tension throughout the film. Don't be surprised if You will sit down while holding their breath in the spectator seats.
The three films that Ingmar Bergman produced at the close of the 1950s – Det sjunde inseglet, Smultronstället and Jungfrukällen – tower so high in his output that one might forget that these were not his only productions of the era. Ansiktet ("The Face", released in English-speaking markets as The Magician) from 1958 is one of his lesser-known films.
In mid-19th century Sweden the magician Albert Emanuel Vogler (Max van Sydow) goes from town to town promising people cures for their ailments and performing magic tricks, including what was the sensation of the time, hypnosis. He is joined by his tout (Aake Fridell), his "ward" Mr. Aman (Ingrid Thulin) and his "grandmother" and the troupe's maker of patent medicine (Naima Wifstrand). After fleeing the law after a performance in one town, they pass through the forest and enter another community. Here they are detained by the authorities, so that the physician Vergerus (Gunnar Bjornstrand), the consul Egerman (Erland Josephson) can decide a wager on whether Vogler's tricks are real spiritual powers or scientifically explainable illusions.
While Ansiktet should not be overlooked for fans of Bergman, I think it is fair that the film is not ranked among Bergman's greatest achievements. Characterization is pretty slim – we get no idea of why Vogler and his companion chose this life, and Vergerus is so shallow that Gunnar Bjornstrand seems wasted. And had the film ended three minutes earlier it would have been one of Bergman's more powerful conclusions, but instead we get a completely unexpected happy ending that just seems lame. Much of the middle part of the film depends on sex jokes that are funny at times, but I suspect anyone who knows Bergman's great output will continuously be thinking that he's capable of so much more than this.
Still, Ansiktet does have a generally thought-provoking dramatic arc, and some moments will prove memorable. I especially admired the battle between Vergerus and Vogler and the magician's breakdown (funny how his temperment appropriately changes with his clothes in this scene).
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